Use Textures from Substance Painter and Render in Arnold for Maya using painting and advanced procedural techniques. In part 2 of this tutorial I go into taking textures from Substance painter and rendering a vintage theater chair, going over thought process and technique. 00:25 - Discuss Approach 00:50 - Defining UDIM in Texture node 01:38 - Difference between Green and Red node dots 02:25 - Procedural Noise to Change Displacment 02:40 - Using Object ID to introduce variation 04:53 - Using Object ID randomization for Color 06:08 - Procedural Dust Setup 08:55 - Overview of Object ID Randomization 09:35 - Final Thoughts Download the smart materials created in this tutorial here: https://gumroad.com/l/vgQtC I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

Learn Substance Painter texturing for film and games using advanced procedural techniques. In part 1 of this tutorial I go into texturing a vintage theater chair, going over thought process and technique. Part 2 will be going into Maya using Arnold to add procedural dust and color variation. 00:35 - Discuss Approach 01:10 - Looking at Procedural Color Variation 01:55 - Breaking down each material 02:37 - Going over how wood material was created 06:33 - Creating the copper numbering plate 07:31 - Discussing metal material 07:50 - Going over how seat fabric is created 14:45 - Showcase Download the smart materials created in this tutorial here: https://gumroad.com/l/vgQtC Part 2 coming soon going over Maya portion. I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

Learn Substance Designer and Painter texturing for film and games using advanced procedural techniques. Dive deep into Substance Designer to create custom controls that can be passed to Substance Painter to build complex texturing kits. Timestamp Index: 00:52 - Making a reference board DESIGNER 02:00 - Designing Big shapes 04:23 - Designing Stratification Filter 06:59 - Designing Pock Mark Filter 08:25 - Designing Cracks Filter PAINTER 10:43 - Starting initial rock material 12:05 - Using Big shapes filter for height 16:35 - Building Anchor Library 17:50 - Building stratification 18:30 - Advanced anchor mixing 20:20 - Building pock layer 21:17 - Anchoring BaseColor for Roughness 22:37 - Sun Bleaching 24:13 - Building cracks into rock 26:08 - Adding mud layer with compare masks Jasmine Katatikarn & Michael Tanzillo - TDU : https://tdu.teachable.com/ Noah Bradley : https://www.artstation.com/noahbradley Denian Ouyang : https://www.artstation.com/douyang2 Lip Comarella : https://www.artstation.com/lipcomarella I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

In this tutorial we go over the creation of a Chinese New Year Lantern using Substance Painter and Designer for texturing, Arnold for Maya for Lighting and Rendering. This video is more of a break down of process and what I was thinking during each step from start to finish. Timestamp Index: 00:23 - Overview of Tutorial 00:35 - Modeling Process 00:52 - Using Mash to make Tassel 01:45 - UV workflow 02:20 - Starting in Substance Painter 02:45 - Lantern Paper Texturing 03:22 - Gold Lettering 03:42 - Making Tassel Rope in Substance Designer 04:10 - Material creation in Maya 04:40 - Starting Lighting Look Dev 05:05 - Making SSS Mult Masks 05:55 - Adding micro scratches to gold 06:27 - Adding Background Elements 06:39 - Texturing Windows and Beams 07:30 - Finshing Final Look 07:57 - Final Thoughts and Showcase Happy Chinese New Year!! I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

Learn how to make custom filters in Substance Designer that can be exported and used in Substance Painter. In this tutorial I make a custom procedure in Designer that I use to make a bunch of texture variations for a medieval door in Substance Painter. Designer Filter Download: https://www.dropbox.com/s/frgvq4on5e9bbab/Plank_Rivet.sbsar?dl=0 Timestamp Index: 00:20 - Discuss basis of tutorial 00:25 - Mark Foreman Materials 01:05 - Gathering Reference 01:26 - Opening Filter Template in Designer 01:55 - Approach for making Filter 02:00 - Creating Plank Procedure 02:30 - Exposing handles from Designer for Painter 03:11 - Discuss Exposed Parameter Types 04:29 - Expose Color Random 04:56 - Expose Plank Size 05:30 - Creating Procedural Rivets 06:18 - Creating Multi Switch Nodes 06:38 - Creating Square Wood Pattern 07:39 - Mixing Plank and Rivet Signals 07:53 - Exposed Parameter Review 09:36 - Exporting Filter from Designer to Painter 09:49 - Importing Filter into Painter 10:40 - Using first filter in Painter 11:51 - Create Planks for First Door 16:04 - Create Rivets for First Door 16:57 - Add procedural dirt under rivets 18:00 - Creating other door variations 18:41 - Discuss all door variations made 19:07 - Showcase and Final Thoughts Mark Foreman - https://www.artstation.com/oggyart Mark's Signature Series - https://www.allegorithmic.com/blog/substance-source-mark-foreman-s-medieval-world I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

Learn how to do Lighting in Arnold using an artistic and technical approach. Arnold for Maya is a very powerful lighting tool and this tutorial provides the necessary skills to get started. These lighting principals can be applied to other applications like Blender, C4D, 3dsMax etc. Timestamp Index: 00:18 - Going Over Resources 00:52 - Discuss Layout 01:33 - Making first light 02:24 - Scene Scale 03:11 - Explaining Light Properties 06:43 - Lighting First Scene 07:27 - Importance of Light Filters 08:02 - Making Light Blockers 10:04 - Using Light Blockers in Practice 12:05 - Lighting Backdrop 13:02 - Adding Rim Light 14:25 - Refining Shot with Blockers 15:26 - Light Editor vs Arnold Light Manager 17:27 - Second Light Setup 17:52 - All Other Light Rigs 18:15 - Showcase / Final Thoughts Lighting Guide: http://media.digitalcameraworld.com/wp-content/uploads/sites/123/2015/09/Free_portrait_lighting_poster.jpg Free Model Scan Library: https://www.myminifactory.com/scantheworld/ I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

Want to learn Texturing with Substance Painter and Shading and Rendering in Arnold? This video is the second part of a 2 part series going over how to texture in Substance Painter (Part 1) and then Render in Arnold 5 of Maya (Part 2). Timestamp Index: 01:06 - Organize with Materials with Hypershade Layers. 03:50 - Importing Textures. 07:55 - Hooking up textures into aiStandard Surface Shader. 10:34 - Overview of Lighting setup. 11:35 - Camera gate settings. 12:22 - First Render. 12:51 - Displacement Setup for Objects. 14:28 - Discuss basic shelf scripts to run MEL commands. 17:14 - Modifying Shader attributes. 18:12 - Refining bump and displacement values. 20:20 - Overview on making and using AOVs. 22:11 - Artist Disclosure/Wisdom. 22:50 - Using Arnold Light Manager. 23:47 - Viewing all lights in isolation. 25:00 - Refining Bump on Leaves. 27:07 - Closing Remarks. The model that I used today was from Albert Valls Education pack he provided here: Albert Valls Education Models: https://tinyurl.com/ycbl8x85 I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

Want to learn Texturing with Substance Painter and Shading and Rendering in Arnold? This video is the first part of a 2 part series going over how to texture in Substance Painter (Part 1) and then Render in Arnold 5 of Maya (Part 2). Timestamp Index: 01:01 - Model and UV overview. 04:33 - Starting in Substance Painter. 05:29 - Studying Reference. (PureRef) 08:00 - Discussing Layer Stack in Painter. 08:36 - Discussing Fill Layers. 10:17 - How to make and use masks. 14:30 - Breakdown of leaf layerstack. 18:56 - Making the leaf vein. 24:42 - Leaf color variation. 25:52 - Leaf displacement/bump. 27:46 - Discussing anchor points. 34:06 - Making SSS Mult mask. 35:25 - Checking all channels before export. 36:47 - Exporting all texture channels. 38:40 - Final Thoughts. The model that I used today was from Albert Valls Education pack he provided here: Albert Valls Education Models: https://tinyurl.com/ycbl8x85 PureRef Mentioned @5:29 https://www.pureref.com/ I hope you find this video useful! SUBSCRIBE for future content! Brent Le Blanc Website: https://www.bleblanc.com/ Facebook: https://www.facebook.com/TextureLeBlanc Twitter: https://twitter.com/Brenton_LeBlanc

In this video I show how to UV a simple 3D tire in Maya. This was a tire from a user on Ten Thousand Hours requesting help with UVs. Subscribe for more tutorials and tips!